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	<title>The Memory Palace</title>
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	<description>This is The Memory Palace...</description>
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		<title>Nee Weinberg</title>
		<link>http://thememorypalace.us/2010/05/episode-30-nee-weinberg/</link>
		<comments>http://thememorypalace.us/2010/05/episode-30-nee-weinberg/#comments</comments>
		<pubDate>Tue, 11 May 2010 22:19:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://thememorypalace.us/?p=445</guid>
		<description><![CDATA[First section is chopped up from the title sequence to Tokyo Story (the Ozu film). Followed by The Bunker by Beirut and a polka from an odd little record by Federal Music Society. Then, back to the title sequence well: &#8230; <a href="http://thememorypalace.us/2010/05/episode-30-nee-weinberg/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>First section is chopped up from the title sequence to Tokyo Story (the Ozu film).  Followed by The Bunker by Beirut and a polka from an odd little record by Federal Music Society.  Then, back to the title sequence well: Shoot the Piano Player.  We hear April by Akira Kosumura a couple of times.  Blues for Elvin by John Coltrane.  Grassland by Arkira Kosumura (which gets mixed in with a little snippet from the Eternal Sunshine Soundtrack).  It ends on something else from the Eternal Sunshine soundtrack as well.</p>
<p>There&#8217;s a lot written about Weyman.  The most fun things to read are the original newspaper accounts (there&#8217;s a fun one from the Milwaukee Sentinal on google books; you can find his obituary on NYtimes.com).  But the most comprehensive thing I read was from a New Yorker profile from 1968 (which, incidentally, spends pages on literally psychoanalyzing Weyman).</p>
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		<slash:comments>7</slash:comments>
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	<itunes:summary>First section is chopped up from the title sequence to Tokyo Story (the Ozu film).  Followed by The Bunker by Beirut and a polka from an odd little record by Federal Music Society.  Then, back to the title sequence well: Shoot the Piano Player.  We hear April by Akira Kosumura a couple of times.  Blues for Elvin by John Coltrane.  Grassland by Arkira Kosumura (which gets mixed in with a little snippet from the Eternal Sunshine Soundtrack).  It ends on something else from the Eternal Sunshine soundtrack as well.
There’s a lot written about Weyman.  The most fun things to read are the original newspaper accounts (there’s a fun one from the Milwaukee Sentinal on google books; you can find his obituary on NYtimes.com).  But the most comprehensive thing I read was from a New Yorker profile from 1968 (which, incidentally, spends pages on literally psychoanalyzing Weyman).
</itunes:summary>
<itunes:subtitle>First section is chopped up from the title sequence to Tokyo Story (the Ozu film). Followed by The Bunker by Beirut and a polka from an odd little record by Federal Music Society. Then, back to the title sequence well: … &lt;a [...]</itunes:subtitle>
	</item>
		<item>
		<title>The Sisters Fox</title>
		<link>http://thememorypalace.us/2010/03/episode-27-the-sisters-fox/</link>
		<comments>http://thememorypalace.us/2010/03/episode-27-the-sisters-fox/#comments</comments>
		<pubDate>Sat, 13 Mar 2010 01:52:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://thememorypalace.us/?p=419</guid>
		<description><![CDATA[The harp bit at the beginning and end is In California from the new Joanna Newsom triple record. Then three pieces from Max Richter&#8217;s 24 Postcards in Full Color and Song for Jesse from Nick Cave and Warren Ellis&#8217; soundtrack &#8230; <a href="http://thememorypalace.us/2010/03/episode-27-the-sisters-fox/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>The harp bit at the beginning and end is In California from the new Joanna Newsom triple record.  Then three pieces from Max Richter&#8217;s 24 Postcards in Full Color and Song for Jesse from Nick Cave and Warren Ellis&#8217; soundtrack to The Assassination of Jesse James by Yada Yada Yada.</p>
<p>There&#8217;s plenty of great stuff written about the Fox sisters, including a book-length take (Talking to the Dead, by Barbara Weisberg) which appears to be all that.  I&#8217;ll recommend a dynamite book called Occult America: The Secret History of how Mysticism Shaped Our Nation, which despite its hyperventilating, Dan Browny spoooooooky conspiracy title, is great and readable and scholarly at the same time.  Great context.  And, this is sort of an standing order: go to the NYTimes&#8217; pre-1981 archive.  There are some vintage stories about the Fox Sisters there.</p>
]]></content:encoded>
			<wfw:commentRss>http://thememorypalace.us/2010/03/episode-27-the-sisters-fox/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
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	<itunes:summary>The harp bit at the beginning and end is In California from the new Joanna Newsom triple record.  Then three pieces from Max Richter’s 24 Postcards in Full Color and Song for Jesse from Nick Cave and Warren Ellis’ soundtrack to The Assassination of Jesse James by Yada Yada Yada.
There’s plenty of great stuff written about the Fox sisters, including a book-length take (Talking to the Dead, by Barbara Weisberg) which appears to be all that.  I’ll recommend a dynamite book called Occult America: The Secret History of how Mysticism Shaped Our Nation, which despite its hyperventilating, Dan Browny spoooooooky conspiracy title, is great and readable and scholarly at the same time.  Great context.  And, this is sort of an standing order: go to the NYTimes’ pre-1981 archive.  There are some vintage stories about the Fox Sisters there.
</itunes:summary>
<itunes:subtitle>The harp bit at the beginning and end is In California from the new Joanna Newsom triple record. Then three pieces from Max Richter’s 24 Postcards in Full Color and Song for Jesse from Nick Cave and Warren Ellis’ soundtrack … &lt;a [...]</itunes:subtitle>
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		<item>
		<title>You Know You&#8217;re Sick</title>
		<link>http://thememorypalace.us/2009/11/episode-22-you-know-youre-sick/</link>
		<comments>http://thememorypalace.us/2009/11/episode-22-you-know-youre-sick/#comments</comments>
		<pubDate>Fri, 20 Nov 2009 01:36:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://thememorypalace.us/?p=379</guid>
		<description><![CDATA[First bit is &#8220;Minor Swing&#8221; by Django Reihardt. Then two from the dee-lightful soundtrack to Modesty Blaise (the super-campy mod spy flick). Then two pieces from the I Heart Huckabees soundtrack bookend &#8220;South American Getaway&#8221; from Burt Bacharach&#8217;s Butch/Sundance soundtrack. &#8230; <a href="http://thememorypalace.us/2009/11/episode-22-you-know-youre-sick/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>First bit is &#8220;Minor Swing&#8221; by Django Reihardt. Then two from the dee-lightful soundtrack to Modesty Blaise (the super-campy mod spy flick).  Then two pieces from the I Heart Huckabees soundtrack bookend &#8220;South American Getaway&#8221; from Burt Bacharach&#8217;s Butch/Sundance soundtrack. Oh: the bit at the beginning and end over the ad intro and out is &#8220;Old New Bicycle&#8221; by Helvetia.</p>
<p>I love this story. I think my version&#8217;s pretty good, but the I love the story of John R. Brinkley.  So much good stuff had to be left out to keep this podcast tight. There was a big biography that came out a few years ago called Charlatan that is very comprehensive.  But I&#8217;d like to give a special shout out to a book called &#8220;Border Radio: Quacks, Yodelers, Pitchmen, Psychics and Other Amazing Broadcasters of the American Airwaves.&#8221; Hell, I&#8217;ll even give it an <a href="http://www.amazon.com/Border-Radio-Yodelers-Pitchmen-Broadcasters/dp/0292725353">Amazon link.</a> Because it is good (and tells all about Brinkley and the other people who followed his lead and broadcast from Mexico) and because one of its co-authors, a guy named Bill Crawford, gave me one of the best days I had in the last several years when he and a friend/colleague drove me down from Austin, past Brinkley&#8217;s Mansion in Del Rio, and down across the border to Acuna (where I interviewed the blind, current manager of a station that descended from Brinkley&#8217;s).  Then back later that day through the high desert where we came up around this bend and I looked out and saw herds of animals grazing at sunset and learned that they were all Indian and African gazelles and Ibix and whatnot brought in to be hunted&#8211;turns out only native Texas animals are included in seasonal hunting laws.  After which, I no longer mess with Texas.</p>
]]></content:encoded>
			<wfw:commentRss>http://thememorypalace.us/2009/11/episode-22-you-know-youre-sick/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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	<itunes:summary>First bit is “Minor Swing” by Django Reihardt. Then two from the dee-lightful soundtrack to Modesty Blaise (the super-campy mod spy flick).  Then two pieces from the I Heart Huckabees soundtrack bookend “South American Getaway” from Burt Bacharach’s Butch/Sundance soundtrack. Oh: the bit at the beginning and end over the ad intro and out is “Old New Bicycle” by Helvetia.
I love this story. I think my version’s pretty good, but the I love the story of John R. Brinkley.  So much good stuff had to be left out to keep this podcast tight. There was a big biography that came out a few years ago called Charlatan that is very comprehensive.  But I’d like to give a special shout out to a book called “Border Radio: Quacks, Yodelers, Pitchmen, Psychics and Other Amazing Broadcasters of the American Airwaves.” Hell, I’ll even give it an Amazon link. Because it is good (and tells all about Brinkley and the other people who followed his lead and broadcast from Mexico) and because one of its co-authors, a guy named Bill Crawford, gave me one of the best days I had in the last several years when he and a friend/colleague drove me down from Austin, past Brinkley’s Mansion in Del Rio, and down across the border to Acuna (where I interviewed the blind, current manager of a station that descended from Brinkley’s).  Then back later that day through the high desert where we came up around this bend and I looked out and saw herds of animals grazing at sunset and learned that they were all Indian and African gazelles and Ibix and whatnot brought in to be hunted–turns out only native Texas animals are included in seasonal hunting laws.  After which, I no longer mess with Texas.
</itunes:summary>
<itunes:subtitle>First bit is “Minor Swing” by Django Reihardt. Then two from the dee-lightful soundtrack to Modesty Blaise (the super-campy mod spy flick). Then two pieces from the I Heart Huckabees soundtrack bookend “South American Getaway” from Burt [...]</itunes:subtitle>
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